Quotes from Terry Pratchett Discworld novels
xposted to smallbatchicons
Edited to correct spelling!
This entry was originally posted at http://aldersprig.dreamwidth.org/19728.html. You can comment here or there.
Quotes from Terry Pratchett Discworld novels
xposted to smallbatchicons
Edited to correct spelling!
This entry was originally posted at http://aldersprig.dreamwidth.org/19728.html. You can comment here or there.
And that is the last of the prompts given from the Drakeathon, written!
(My parents donated and have not prompted, but everything I’ve actually gotten a prompt for has been written).
All together in a document, it’s just under 14,000 words, 27 pages of 8.5×11 with no intros and little formatting. I plan to add to this a couple already-written things, where the prompt was “please continue this story.”
Next step(s): editing and formatting for the e-book. I know at least one story needs polishing – Lost Princess of Paradisia. I’ll have to read through again to see about the rest of them.
This entry was originally posted at http://aldersprig.dreamwidth.org/19689.html. You can comment here or there.
The last of the Drakeathon prompts is another take on Jilliko’s “Dreams of Winter.” It is between a cut of descriptions and depictions of death
Winter dreamed of death.
Let summer have heat prostration, drought, the long hot death of burning; let autumn have harvest and the browning of the leaves; let spring babble of flooding. Spring was, they all knew, about fertility, no matter how many deaths she claimed. Summer was about growth; her heat warmed the planet, warmed the people. Autumn’s harvest was food, fuel for survival. None of them really understood death. None of them knew how to kill like Winter did.
She dreamed, in her pristine palace, of the thousand cold, sharp deaths. She dreamed of the bird who could find no seeds, slowly perishing of starvation. She dreamed of the cold that slowed and clogged the blood, until the heart stopped and the body gave up. She dreamed of the quick skid across the road that looked dry, the black ice sending a car skittering like a toy across the road.
She dreamed of death, for she had been born of death, for death, about death. In her sleep; for Winter is sleep; she knew about, and was, the necessary: the renewal of the planet that comes with the slow rot of late autumn, that leads to the violent green of early spring. She was, in her dreams, the stasis of the freezer, that holds dreams unmoving, unchanging, un-growing and undying, until the thaw rescues them to rot or to sprout. She touched the tragedies and held them close to her frozen heart, the impatience of humanity against the implacability of the ice; the desperation of hunger and frostbite.
Winter slept, because the time of cold is a time of dormancy, the sleep that looks much like death, and the death, in turn, that appears to be a quiet sleep. She held the land stagnant in her dreams, never growing, never changing, the people dreaming of better times in that quiet way: Maybe someday the world will change. Maybe someday I will change. She held it all quiet, close to her heart, where it could not hurt her, where it could not grow away from her, or fall to rot. She held the land peaceful, quiet as the grave, quiet as sleep.
In the midst of the stasis of winter, the land dreamed of spring. It stretched, and heaved, under the heavy blanket of snow and ice. It put forth shoots, defying the cold and the ice, the frozen wasteland that said Winter will be here forever. The world will never change. The planet turned towards the sun, and the ice began to crack.
In the middle of Winter’s dreams, the people began to stir. They stretched, reaching, yearning for something. Yearning for change.
The snow fell, killing the shoots of green, burying the bird digging for seeds, making the roads slick and deadly.
And still the people dreamed, and stretched. And still the world turned towards the sun.
Winter dreamed of death holding everyone still. She dreamed of the quiet of starvation, the peace of stagnation. She dreamed of the cold, because she had been born of the cold, of death, of silence.
And in her silence, the world dreamed of noise, and awoke.
This entry was originally posted at http://aldersprig.dreamwidth.org/19357.html. You can comment here or there.
Originally posted to Fifteen-Minute-Fics, a 15-minute-ficlet to the prompt “platitudinous”
She smiled at the gathered crowd and took a long, deep breath. They would listen to her; they’d paid to come in here, after all. But would they hear?
She waited while they squirmed a bit. No-one expected her to be all that interesting, did they? They expected her to preach, to pontificate, to pour platitudes on their plebeian pates. They came to say they’d heard her speak, not because they expected it to be an entertaining speech.
“Punch ’em in the gut,” he’d recommended. “Don’t be platitudinous. Don’t use words of more than two syllables unless no other word will do. They’re here to look at you, after all, and for the cachet of hearing you speak. Let them look at you. Then, and only then, honey, hit them in the gut and don’t let them catch their breath until you’re done with them.”
He’d added a wry smile then, one she’d come to know very well. “I know you can do it. You’ve done it to me.”
She stepped away from the podium, carrying only the small remote control for the projector. She shed her business jacket. Let them look at you. All right, then; under the jacket she was wearing a thin, strappy chemise and a skirt that looked a lot less professional without its matching jacket, especially when a mystery breeze began brushing it to and fro, suggesting more than showing, but certainly suggesting a lot.
While they were staring at the moments of revealed thigh, at her freckled shoulders, at her flame-colored, hair, the projector screen lowered. She stood so that she was directly in front of the images, and showed them her pictures:
Avignon, where a would-be god sat on a throne in the middle of city hall, young men and women in chains at his feet. The light made it seem as if she, too, was chained before him. Click.
Barcelona, where the center of the city stood as destroyed as if an earthquake had hit it. She looked, now, as if she stood buried to her waist in rubble. The crowd began to make uncomfortable noises. Click.
Lisbon, looking as if nothing had changed, at first glance. Peaceful. Calm. Happy. Click… and so very uniform. Everybody the same. Everybody moving with a small careful fixed smile on their face: nothing wrong here. We like our uniforms. We are not stepping out of the crowd. Click.
The light of an American anytown showed them her face, with the same careful smile, the same blank expression.
“The enemy is already here,” she said into the nervous silence. “The questions is not when they will arrive. It is what. will. we. do?”
This entry was originally posted at http://aldersprig.dreamwidth.org/18938.html. You can comment here or there.
So!
I’m working on putting together something like Ysabetwordsmith‘s http://penultimateproductions.weebly.com/serial-poetry.html list of her serial poetry, and I’m trying to come up with images for each series.
I have pictures for a couple: http://pics.livejournal.com/aldersprig/gallery/0000wx38
After eseme‘s suggestion, TirNaCali is a map, showing the split (yes, I’m missing Baja. Sigh. I’ll need to add it)
The path is for Rin & Girey/Reiassan
Probably something like this – http://www.flickr.com/photos/matthewvenn/3026210580/in/photostream/ – for the Vas series.
That leaves: fae apoc and its subseries. I have some art for Addergoole, but nothing for faeapoc as a whole.
And Stranded.
Ideas?
In discussing YsabetWordsmith‘s latest fishbowl, marina_bonomi asked:
Anyone else tries to give a face to the protagonists and antagonists in the material you read? Do you hear their voices instead? Both? neither?
This is actually a bit of an issue for me: I don’t picture people well, and certainly not faces. I’d have a hard time bringing to mind facial features of old, dear friends, much less fictional characters. Heck, I had no idea what Rin & Girey looked like for quite a while, and I only know what Autumn looks like because of her smile.
What I picture, for friends, for fictional characters, my own or others, for people I only know on the internet, is bits of body language, and sort of stand-alone body parts: Eseme’s hair. Wyst with a china cup of tea. Trix gets a screwdriver. it may be sonic. Brian’s hugs. Elasmo talking animatedly.
The curve of someone’s back. Their hands. Their expression. Their way of grumbling. The place I most often see them. But people? I don’t seem to picture people as a whole, at all, and I almost never picture /faces/.
What about you?