Archive | September 12, 2019

In Even Paris & Rome

I was listening to “Home” on the radio last night – turns out it’s originally Michael Bublé but I listen to country – and, not for the first time, it struck me that the narrator sounded a little cursed. 

So here we have this. 

🛬 ✈️ 🛫

The taxi smelled strongly of mould and smoke and seemed to hit every bump on the way from the airport to  the hotel. Blake tipped the driver $20 anyway. It was probably not the lady’s fault, after all.

The hotel was a nice one — they always were — but the building next door was undergoing demolition.   The banging followed Blake up the stairs — he’d learned, about elevators — to the tenth floor and into his room.

His next plane tickets and hotel reservations were waiting for him.  Only once in all his time had they not been there, and that time didn’t bear thinking about. 

He shook out his clothes from his carry-on — after losing checked luggage three times, he’d given up — and hung them in the bathroom, put a laundry bag put for Housekeeping, and sat down at the rickety table.

He picked up the room phone and dialed.  555-908-7857. He’d dialed that number so often he called it in his sleep.

In his dreams, someone picked up.  In the good dreams, she picked up.

“The number you have dialed is unavailable.   Please hang up.”

Blake hung up.  He pulled a tiny bourbon from the hotel minibar — legit Kentucky bourbon,  here in… he checked the hotel stationery — Rome. He drank it straight straight from the bottle, finishing it in two swallows, before he considered the hotel stationery again. 

He pulled the curtains open to look at the demolition,  opened the window, and let the dusty air wash over him.

The hotel-branded ballpoint pen worked.  He pulled over a clean sheet of paper and began.

Aug 12, 2011

Rome looks like dust today,  but the sky is bright blue, like the river down past Johnson’s where we used to fish.  

I want to come home.

I slept well on the plane, despite the crying baby.  I feel bad for the kid. It wasn’t her fault.

I want to come home.

All in all, it’s a good day.  I hope yours is going well, too.

I miss you,

Why won’t they let me go home?

Blake. 

 

He folded up the letter carefully, smoothing each crease.  He dug the box out of the bottom of his carry-on, a cookie tin he’d bought, sharing the cookies with the pigeons in — he thought it had been Paris, it might have been Versailles — until he had the perfect size for his rubber-banded stack of letters. 

He had to push the lid shut over the letters now.  It would be time for a second tin, soon. 

Just let me come home

“I want to travel the world.”  He tested the words. They sounded dirty, dusty now, now like they had when he was twenty and full of himself.  Forget this stupid town.

Who knew the elders of his hometown were quite so temperamental — or quite so magical?

According to his tickets — and they were never wrong — he’d be here for almost three whole days.  Blake changed his shirt and headed out for a drink, giving the tin of letters one last pat on the way out. 

 

Curating the Empire

Originally posted on Patreon in September 2019 and part of the Great Patreon Crossposting to WordPress.
A Story of Things Unspoken.  I did not unlock this one solely for Kelkyag, no, of course not. 

🏺

It was called a Museum, and it served as such to the public in the Imperial Capital.

That is, people could visit and, for a nominal fee, they could peruse the items stored within.  They could awe at the sculptures, puzzle at the paintings, meander around the mosaics.

They could read portions of ancient texts, both in the original and in several translations.  They could learn from a trained and patient docent why a particular civilization had, for instance, created garments which were beaded over the entire (relatively skimpy) piece with shells and bits of shiny stones, or from another guide why the famed painter Kelizanie Patrischezch had chosen to use only five shades in her The Dawn Comes (Ukethetchesziezie)  series.

And, because it was available, because their were discounts for students, and because it insisted on a certain level of quiet but used firm barriers to keep small children from, say, climbing on the statue of The First Empress, it was well-attended, if perhaps not as well attented as it should have been.  It was, in terms of museums, quite a success.

All of which did a wonderful job of concealing the original mandate of the building and the organization which ran it.

Mayie Retoziven, lead curator for the Northeast Territories Section of the Imperial Museum of Arts and Culture, was up to her elbows in a box of trinkets and gizmos, objets d’art and fine embroidery when her alarm went off.

As she had both been trained in and then trained countless others in her decade as a lead curator, Mayie froze.  “Castellan!” she called to her assistant.  “There’s an issue.” Continue reading